Archive for November, 2005

Tuesday Challenge #6

Wednesday, November 30th, 2005

Quick Download Link

This one kind of morphed quite a bit. It was originally going to be an industrial piece – but I guess it was just a little too far out of my comfort zone, so it ended up turning into something a little more my style.
Another attempt at lyrics and singing – unfortunately I still can’t find what the exact formula is to make my voice sound good – there’s a certain range and volume at which I actually sound all right, but I don’t think I got either of them here. I also still don’t know how to mix vocals, but I guess practice is what this is all about, so I can only improve. My vocal melody writing could do with some improvement as well.

Otherwise there’s not really a lot to say about this piece – the seagulls and waves seem to work quite well bringing the intro in – they’re from an old sound effects CD I bought years ago, and that sample fits pretty much exactly right – the volume drops off a little just as the vocals start, and the whole thing finishes almost as soon as the chorus comes in.

I’m pretty happy with the guitars in the leadout at the end too – it never seems like I’m doing anything when I’m playing something like that, but in the end it always goes to show that less really is more.

Slight Delay

Tuesday, November 29th, 2005

Due to having been in Sydney today, and then having an impromptu Conflux meeting this evening, this week’s Tuesday Challenge shall be a Wednesday Challenge.

My name is pain….what’s yours?

Sunday, November 27th, 2005

work christmas party last night….
started at a restaurant in Fyshwick, ended up at King O’Malleys in civic, till they closed.
Nothing says “Canberra” like Chicken Gormet at 4:30 in the morning.
Got home as the sun was rising.

Got out of bed 4 hours ago. Going back there now.

Every muscle hurts…..sore throat from drunken singing. Stiff neck from hell from drunken head-banging. Sore back from I don’t know what….

Getting up at 4:30 to catch a plane tomorrow.
’twill be fun.

A Feast For Crows – George R.R. Martin

Friday, November 25th, 2005

Mince Pies

Wednesday, November 23rd, 2005

…the only reason for the christmas season!

Tuesday Challenge #5

Tuesday, November 22nd, 2005

Quick Download Link

Only 7 hours work this time – still way above target, but getting slightly better.
I think it’s length that has the most effect on how long it takes to do, not complexity. This one is the simplest I’ve done yet – it’s a bit of a cop out really – just a light jazz rock piece with a bossa beat. There’s only two sections, and a very simple melody. The form is equally uninspired – Intro, Head, Solo 1, Solo 2, Solo 3, Head ending. As for the ending: Lamest. Ending. Evaar. But I couldn’t think of anything else.

However, it’s not all gloom – I rather like the bass riff, and it was fun playing around with the keyboards. The solo on the Rhodes sound isn’t wonderful, and I actually meant to go back and redo it, but in the end I couldn’t be bothered, and it’s not _that_ bad. Besides, when I re-recorded the piano, I’d played it against the solo, so if I changed the solo, I’d have to re do the piano again.

Another good thing is the duet with guitar and flute at the end. Unfortunately in both cases I needed to record them in sections and stick them together later. (Only two for the flute, but one per phrase for the guitar). I would have been able to do them in single takes eventually, but it would have taken all night. Especially in the case of the guitar.
This one was good practice for me at play the guitar from music – I’d come up with the melody on the keyboard, then printed it out so I could read it to play the flute and guitar parts. But for Guitar I don’t usually pay any attention to the specific notes I’m playing. I find a scale or two that suits the piece, and just fiddle around on it, so it was a good discipline excercise to not only have to know what I was playing – but to more or less sight read as well.

I have mixed feelings about the flute. It ends up working ok for this piece – and if it was going to work in any of them, this would be the one. But unfortunately my flute playing skill is at the level of your average primary school band member. I have no real problem with the fingering – it’s close enough to Sax in most cases that it comes second nature to me (except I’m not used to nearly dropping the instrument when I play a C), it’s the intonation and getting the right note. Too often I squeak the notes when I get carried away, or I get the wrong register, or worse, I manage to get both at once and end up with this weird confused sound that somehow spans two octaves. Worst of all, I’m absoluely horribly out of tune most of the time. I nearly had to put a big warning in front of this piece saying “Danger may permanently damage your ears”. Between old strings on the guitar, and crap flute playing, the duet portion was absolutely painful.
Fortunately I was able to use the pitch correction feature in Audition to fix it up a bit, so it went from horribly embarrasing, to not too bad at all in just a couple of clicks ;) (Though I do feel rather ashamed at having to use it).

Questionable Opinions…

Friday, November 18th, 2005

Just came across this article on slashdot.
IT workers dubbed ‘worst dressed’

It seems to me that basically the whole point of it is that Ms Melanie Moss doesn’t think the IT industry is doing enough to prop up the fashion industry.

A couple of relevant quotes:

“The internet is now such a massive industry but people haven’t caught up in terms of their dress,” she said.

and –

Ms Moss believes money should be no object when it comes to dressing well.

I get the feeling that Ms Moss is far less concerned about the “business and personal success” of the average IT worker, than she is about getting them to spend all their money on clothes that have no relevance to their jobs.

I have no problem with the idea that people should dress appropriately for work – I just have a problem with the attitude that you can’t be serious about your job until you’ve spent $1000 on clothes – especially when a client will never lay eyes on you.

Tuesday Challenge #4

Wednesday, November 16th, 2005

Quick Download Link (4.3Meg mp3)

Well, despite attempting to keep it simple and easy, I still managed to clock in another 8 hours this time…hmm, note to self – attempting to score an orchestral piece is not keeping it simple and easy ;)

I think I was in a funny mood when I started this – it had a very melancholy sort of sound to it – and you can still pretty much hear that in the introduction, though it takes on a different sort of feel once it gets going. I’m not sure what though. It actually rather puts me in mind of wide plains – golden grass swaying in the wind, but then it gets all martial sounding for a bit before going back to the grass again, and then there’s some sort of conflict which seems to end up being OK in the end.
Or something.

Anyway – on to the music itself.

There’s no guitar in this one for a change, and no real flute either. I did try to use the flute, but unfortunately nothing shows up how bad my flute playing is like trying to get it to blend in with a bunch of always-perfectly-in-tune sampled instruments. So I gave the strings the flute part and wrote a smaller part for the fake flute instead.

The main theme is very heavily pentatonic, which gives it a rather distinctive sound, and the second part is based on suspended chords which does quite a nice job of adding tension. There’s a couple of bodgy bits though – the transition from introduction to bringing in the orchestra is a bit abrupt, the feel in the intro is just too different, and I didn’t do enough to either foreshadow the change, or ease it in. The other not so good bit is the transition from the second theme back to the main theme – the second theme just sort of peters out and then suddenly we’re in the first one again. I tried to use the drums to foreshadow that a bit, but that didn’t quite work. Then when the main theme does come back again, I’ve done a kind of half keychange, but not really. The first time round it was in Am, on an A bass. But the second part ended on an A as well – so it didn’t feel right jumping back into it. So the second time round, I invert things a bit, and play the theme up a fith, and use an E bass. Technically it’s still Am, but it has an E feel to it – then after going up to the D as normal, I then slip back down to A as if nothing ever happened. It feels a bit odd when I notice it – but you kind of have to be listening for it, so it’s not too bad.

Overall, I’m rather pleased with this one – I really enjoy doing orchestral pieces, as there’s so much you can do with it, with little bits going on all over the place, and warping the theme around. The only trouble with them is that more parts means more work, so I think that next week I will probably go back to guitar, bass and drums so I can actually get some sleep ;)

Firethorn – Sarah Micklem

Tuesday, November 15th, 2005

not so yum

Monday, November 14th, 2005

Why does yum always do this?

Searching Packages:
Setting up repositories
updates-released          100% |=========================|  951 B    00:00
extras                    100% |=========================| 1.1 kB    00:00
base                      100% |=========================| 1.1 kB    00:00
Reading repository metadata in from local files
primary.xml.gz            100% |=========================| 838 kB    00:12
extras    : ################################################## 2384/2384
Added 94 new packages, deleted 15 old in 3.05 seconds

it takes a good 20 seconds every single time you use it – why the hell don’t they cache the results of whatever the hell it’s doing, so that after it’s done it once, it’s really quick to use after that.

yum search

is horribly painful to use compared to

apt-get search

I don’t know why anyone thinks that yum – or any of the other poor attempts to replicate apt even comes close to comparing with it.
If you think that dependency resolution is what makes Debian package management via apt so good, then you’re completely missing the point.